The less said about Joel Schumacher’s Batman films, the better, but kudos has to be given to the soundtrack for his first attempt. The final result is a soundtrack of unforgettable moments like Juno and Paulie dueting “Anyone Else but You” and the latter completing his morning routine to The Kinks’ brilliant “A Well Respected Man”. So taken by Dawson’s music was Reitman that he had her re-record instrumentals and humming to use for scenes and commissioned Mateo Messina to use her style as the basis for the scored parts of the movie.
While Juno MacGuff may dig the raw power of Iggy and his Stooges, having indie vet Kimya Dawson’s soft voice and oddball lyrics floating in during transitions or when Juno’s faced with a difficult moment feels like a far better match. One of those is a soundtrack that almost acts as an interior monologue for the title character. Jason Reitman and Diablo Cody’s quirky dramedy about a misfit teenager who finds herself two months pregnant and decides to have and adopt out her baby gets a lot of things right.
#BABY DRIVER SOUNDTRACK DOWNLOAD RAR ZIP MOVIE#
Let us know what you think we missed, but in the meantime, sit back and take a whirlwind trip through music in cinema with our picks for the 100 Greatest Movie Soundtracks of All Time. As with any list of this size, there are bound to be disagreements as well as some soundtracks that should have made the cut. We avoided musicals, band movies, concert films, and scores in this regard, focusing solely on the best use of popular music in film, combing through movies from the ’60s all the way up to 2017 until we had our picks. More importantly, we looked at the soundtracks that enhanced the film and went hand-in-hand with its tone and story, giving you greater insight into pivotal scenes and character growth. We came across those movies that made hits out of otherwise obscure songs, while also taking into account films that hijacked a popular song and made it indistinguishable from the film itself. We found plenty of soundtracks that excelled by using subtle songs in the periphery of pivotal scenes, and we also came across films that dropped the music right into the story, as part of the plot or even as a character itself. With that in mind, we decided to take a look at what exactly makes a film soundtrack great, something that seemed much easier on paper than in execution. Play it through in the order here, or shuffle the deck – either way this is a fun reminder of a great film and a brilliant playlist of terrific music.The two best-selling soundtracks of all time celebrate milestones this November, with Saturday Night Fever turning 40 and The Bodyguard turning 25. Wash it all down with Beck’s best ode to Prince, Debra or The Detroit Emeralds. Chuck in Dave Brucbeck’s wonderful Unsquare Dance and a good ole shot of Tequila. Chuck in Young MC, Blur and Golden Earring. It flows well too – from the perfect album/film opener, The Jon Spencer Blues Explosion’s Bellbottoms through to Sky Ferreira’s cover of the Commodores’ Easy and Simon & Garfunkel’s title track via Alexis Kroner’s Blues Incorporated and Queen’s spectacularly OTT Bright Rock. Dre’s sample use, no doubt) and staples from Barry White, Martha Reeves, T-Rex, The Commodores and Sam & Dave.Īdd Simon & Garfunkel, the Incredible bongo Band, The Damned, Carla Thomas and Brenda Holloway and you can see how this is just a music-nerd geek-out. This could have been a triple – the music comes thick and fast in the film and the best tracks here are just wonderful kick-ass pieces of music: Bob and Earl’s original of Harlem Shuffle, the Kashmere Stage Band, The Beach Boys’ Let’s Go Away For A While, The Modern Lovers’ Egyptian Reggae, David McCallum’s The Edge (which you know from Dr. And not many double-album movie soundtracks fully stand-up. Baby Driver is one of those don’t-think-too-hard films filled with car chases and rock’n’roll and soul and its soundtrack album works well as both a character (of sorts) in the film and as a compilation album that could play to an audience unaware of the movie’s plot or mostly positive reviews.įrom garage rockers and classic hits staples to funk and soul nuggets it’s one of the best “Music Nerd” soundtracks since, well, I guess, something like High Fidelity – where it’s a permanent reflection of the film and just a tidy-af compilation of great, great tracks.īetter still – it’s a double. It’s a fun film and a big part of that fun is in the soundtrack.
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